MTL - My Captain - Chapter 52

This a Naruto AU.

Everything has to be studied to understand its meaning, Chiba Shiraishi realized that when he had transmigrated to a new world he has no knowledge of, he only knew he was in the village of Konoha.

Shiraishi couldn’t sleep, so he took out the book he had picked up “The Will of Fire” and read it carefully in the middle of the night, only to see the words in cracks.

The whole book was written with two words – Pyramid Scheme.

Shiraishi felt hesitant and fearful for a iwhile, and he decided that sooner or later, he must escape from this brainwashing organization called Konoha.

Disclaimer: I do not own Naruto or this fic.

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This world became a playground for various other worlds. Every living creature was digitized and awaited the endless slaughter and torture of the players from other worlds.Yi Zheng, who had become a mob rabbit in the Beginner's Village, decided to lead a group of rabbits. They sprinted across the grasslands, did crunches, bench-presses, rowing, and swimming etc.A year later, when the players descended, they saw more than just a group of small monsters.They saw an army of terrifying, demonic, muscular rabbits!The Rabbit King sitting on the throne high above waved a carrot as he threatened, “From this day forth, don’t even think of leaving Beginner's Village!”

A Deadly Secret, also translated as Requiem of Ling Sing and Secret of the Linked Cities, is a wuxia novel by Jin Yong (Louis Cha). It was first published in the magazine Southeast Asia Weekly (東南亞周刊) and the Hong Kong newspaper Ming Pao in 1963. Its original Chinese title was Su Xin Jian before Jin Yong changed it to Lian Cheng Jue. The story revolves around the adventures of the protagonist Di Yun, an ordinary young peasant, who is imprisoned after being framed. In his quest for vengeance, he accidentally acquires the Liancheng Swordplay manual (連城劍谱), an ancient artifact not only prized for the skills detailed inside, but also for containing a secret leading to a treasure.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.