MTL - Great Slaughter System - Chapter 6 Arrogant

Interview (YGZ – Father, ZZ – Mother, ZW – Son)

1. What is something you carry everywhere with you?

YGZ: A gun.

ZZ: I prefer being indoors, specifically inside a lab.

ZW: Anything that has access to the internet.

2. What is your favorite hobby?

YGZ: Shooting.

ZZ: Experimenting.

ZW: Hacking.

3. What is your worst fear?

YGZ: My wife’s cooking.

ZZ: My lab burning.

ZW: No access to the internet.

4. What is your spirit animal and why?

YGZ: A Bigfoot – has hands to hold a gun.

ZZ: An eagle – has good vision, useful for observing.

ZW: A Spider – can spin a web.

5. What is your biggest regret?

YGZ: Letting my wife escape after our first night.

ZZ: My son being a genius. I chose YGZ to be the father of my child because I thought he was a limbo.

ZW: Not reuniting my parents sooner.

Yang Feng somehow transmigrated into a different world and received a legacy of an ‘ancient high tech’ family, which does not directly raise his power, but gives him the technology to build things which are way more advanced than the seemingly medieval world.

An insurance, a safe city, not afraid of invasion, worry-free reconstruction, welcome to buy invasion insurance!

The player Lei Chi is trapped in the game world and cannot go offline. He has obtained a claim settlement system. As long as his own camp is invaded by the player, he will get a claim settlement treasure box.

From then on, he said the harshest words and suffered the most poisonous beatings.

If others build towers to defend, they are afraid that they will not be able to stop the invasion. If Lei Chi builds towers, they are afraid that the towers are too strong and no one dares to come.

Come on, come and hit me!

“I’m not touching porcelain, I’m cheating!”

“What kind of green onion are you, everyone who wants to beat Lao Tzu has made an appointment until next year, so line up!”

PS: Don’t get me wrong, this is a serious tower defense novel.

- Description from novelbuddy

Gu Shishi, a master of traditional Chinese painting, transmigrated into the role of a cannon fodder in a cliché novel.